I admit that I do not really know what I am doing in regards to using the techniques described by Jean Haines in her wonderful books. Why sometimes things seem to work well and sometimes. . .not so much. Such is watercolors. However, I do know that it is fun to simply try.
I have posted lots of sad flowers, including a very sad sunflower before. This, this is a happy sunflower!!
Watercolor on 140 lbs block 9x12
Sunday, May 19, 2019
Thursday, May 16, 2019
Hyacinths. . .really
These are hyacinths. . .really. More flowers (trying) to use the Jean Haines philosophy. Kinda a one step forward, two steps back. Not quite abstract enough and yet not quite true to life. I like it, not sure I "like, like it". But I don't hate it. So there is that.
Watercolor on 140 lbs paper 12x16
This is a Big painting (at least for me) at 12 x 16 inches. Have not done anything this large in a long while.
Watercolor on 140 lbs paper 12x16
This is a Big painting (at least for me) at 12 x 16 inches. Have not done anything this large in a long while.
Tuesday, May 14, 2019
Thursday, May 09, 2019
Captain America
Avengers Endgame has come and gone, with the final fate of Captain America in Marvel Universe now known. No spoilers here. Was thinking about doing something related after seeing the movie. And was asked to do a Cap picture. So, decided to try something in watercolor and ink. This is based on a Jack Kirby panel. The results. . .not bad.
Watercolor & ink 9x12 on 140 lbs block
Watercolor & ink 9x12 on 140 lbs block
Saturday, May 04, 2019
Daffodils
April showers bring May flowers indeed. As a result of all that rain, our daffodils were looking particularly beautiful and inspiring this year. With this inspiration in mind, I took a bunch of reference photos to paint later. Below is my first effort.
Starting to feel more comfortable (and loose) with the lessons from Jean Haines' books. Not there yet, but definitely more better. :)
watercolor on 140 lbs block 9x12
Starting to feel more comfortable (and loose) with the lessons from Jean Haines' books. Not there yet, but definitely more better. :)
watercolor on 140 lbs block 9x12
Saturday, April 27, 2019
Biscuits
Anyone who knows me, knows that I love biscuits (buttermilk biscuits, cheddar biscuits, jalapeƱo cheddar biscuits!). When I travel, I will search out the best breakfast places based on their biscuits. At fast food restaurants I tend to make little sandwiches out of biscuits and chicken fingers or simply slather them in butter and honey. Yum!!
Watercolor on 6.9 x 9.8 200 GSM Perfect Sketchbook
Watercolor on 6.9 x 9.8 200 GSM Perfect Sketchbook
Saturday, April 20, 2019
Practicing Flowers
Sometimes things do not work out the way you want them to do. Or you feel like you have limited control over your situation. The uncertainty of Life can be frustrating. Watercolors are like that too. And by going with the flow, accepting the things you cannot control, you can achieve a modicum of peace. Just let the water flow where it will.
Lately, I have been practicing flowers using two of Jean Haines amazing books: Painting Yourself Calm and Atmospheric Flowers in Watercolor: Painting with Energy and Life. The results have not always been. . .good. The experience, however, has been satisfying.
Below is a card I made. Getting there took a lot of work.
Lately, I have been practicing flowers using two of Jean Haines amazing books: Painting Yourself Calm and Atmospheric Flowers in Watercolor: Painting with Energy and Life. The results have not always been. . .good. The experience, however, has been satisfying.
Below is a card I made. Getting there took a lot of work.
"We shall not cease from exploration.
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time."
Four Quartets
T.S. Eliot
Sunday, April 07, 2019
Bamboo
Initially, I was going to put a border around each panel but never got around to it. Decided to post it today since it does feel rather Spring-y today.
Watercolor 9x12 on 140 lbs watercolor block
Watercolor 9x12 on 140 lbs watercolor block
Sunday, March 31, 2019
Et tu hippo (noto)?
What else should you first draw with an ink called Hippo Purple, but a hippo? Maybe not a hippo that is so serious. . .
This combines some of my favorite things: Rober Oster ink, FPR flex nib, Serendipity Hybrid Pen, and Stillman & Birn sketchbooks.
Pen & ink on extra heavy weight 270 gsm mixed media paper
This combines some of my favorite things: Rober Oster ink, FPR flex nib, Serendipity Hybrid Pen, and Stillman & Birn sketchbooks.
Pen & ink on extra heavy weight 270 gsm mixed media paper
Friday, March 22, 2019
Give Trees a Chance
More mixed media. The tree is drawn with Birmingham Ink James Salk Serum Umber. They are such fun inks. I like how this ink goes from a light toffee to a deep dark walnut brown, such a nice range of color. The background and leaves are watercolor.
Pen & ink with watercolor on 5.5 x 8.5 on 140 lbs paper
Reference photo: Key West, somewhere by Sunset Key
And here is a little warm up. . .just playing around with puddles of color.
Watercolor on 5.5 x 8.5 on 140 lbs paper
Pen & ink with watercolor on 5.5 x 8.5 on 140 lbs paper
Reference photo: Key West, somewhere by Sunset Key
And here is a little warm up. . .just playing around with puddles of color.
Watercolor on 5.5 x 8.5 on 140 lbs paper
Thursday, March 14, 2019
Spring. . . are you coming?
The recent bomb cyclone not withstanding, can Spring be around the corner? Probably not. So as we all wait, here is the first in a bunch of Spring-inspired posts.
This is a true mixed media, using watercolor, fountain pen ink, opaque watercolor, and Tombow brush pens. The background is a simple watercolor wash, the body of the butterfly's body and wing veins are Birmingham Lilac Wind ink, the wing cells are Tombow brush pens, and the white dots are Dr. Ph Martin's Bleed Proof White.
Watercolor + pen & ink on extra heavy weight 270 gsm mixed media paper
This is a true mixed media, using watercolor, fountain pen ink, opaque watercolor, and Tombow brush pens. The background is a simple watercolor wash, the body of the butterfly's body and wing veins are Birmingham Lilac Wind ink, the wing cells are Tombow brush pens, and the white dots are Dr. Ph Martin's Bleed Proof White.
Watercolor + pen & ink on extra heavy weight 270 gsm mixed media paper
Saturday, March 09, 2019
Petrified Forest
Another watercolor and ink experiment. Over top the watercolor I laid down fountain pen ink (Schenley Park Thicket Green, Birmingham Pen Co), especially to represent the moss on the petrified trees.
Watercolor and ink 9x12 140 lbs watercolor block
Watercolor and ink 9x12 140 lbs watercolor block
Saturday, February 23, 2019
Angry Andrew
The governor of NY always seems to be angry, but that makes for interesting creases and wrinkles worth sketching.
But really, this picture was just an excuse to fully try out G.C. Murphy Tarnished Nickle ink (Birmingham Pen Co.) that I used as an accent color on the Rusted Pipe. It is a complex grey ink with blue and pink undertones. I just love it! To round out the picture, I added a touch of watercolor to give his face a bit of color.
Pen & Ink on extra heavy weight 270 gsm mixed media paper (Stillman & Birn)
This is just a quick sketch but you can really see how complex the G.C. Murphy Tarnished Nickle ink. Just so much fun!
But really, this picture was just an excuse to fully try out G.C. Murphy Tarnished Nickle ink (Birmingham Pen Co.) that I used as an accent color on the Rusted Pipe. It is a complex grey ink with blue and pink undertones. I just love it! To round out the picture, I added a touch of watercolor to give his face a bit of color.
Pen & Ink on extra heavy weight 270 gsm mixed media paper (Stillman & Birn)
This is just a quick sketch but you can really see how complex the G.C. Murphy Tarnished Nickle ink. Just so much fun!
Friday, February 15, 2019
Spyhopping Orca
Spyhopping or photobombing? You decide.
This is another piece using a similar technique as the unfinished penguin (ie, letting high granulating paints do their thing). Daniel Smith's Lunar Black really is an interesting paint.
Watercolor 9x12 on 140 lbs watercolor block
I hardly ever do a study before painting or drawing (probably should). I did this itty-bitty orca for fun and liked it so much that I did the larger one above.
Watercolor 3.5x5 on paper
This is another piece using a similar technique as the unfinished penguin (ie, letting high granulating paints do their thing). Daniel Smith's Lunar Black really is an interesting paint.
Watercolor 9x12 on 140 lbs watercolor block
I hardly ever do a study before painting or drawing (probably should). I did this itty-bitty orca for fun and liked it so much that I did the larger one above.
Watercolor 3.5x5 on paper
Saturday, February 09, 2019
Unfinished Penguin
Some people have unfinished business, I have an unfinished penguin. Go figure.
I might finish this. . .but then, probably not.
watercolor on 6.9 x 9.8 200 GSM (110 lbs) Perfect Sketchbook
I might finish this. . .but then, probably not.
watercolor on 6.9 x 9.8 200 GSM (110 lbs) Perfect Sketchbook
Tuesday, February 05, 2019
Rusted Pipe
Much like the little tree frog doodle, this is also not watercolor but ink (with a splash of watercolor in blue). I am really enjoying the Birmingham Pen Co inks, with such fun names like Carrie Furnace Pig Iron (the rusted red brown) and G.C. Murphy Tarnished Nickel (the steel black). This is a bit of a departure from the stuff I have been doing lately. Always nice to try something different.
Brush and ink on extra heavy weight 270 gsm mixed media paper (Stillman & Birn)
Brush and ink on extra heavy weight 270 gsm mixed media paper (Stillman & Birn)
Thursday, January 31, 2019
Xenopus!!
This is an illustration that I have been meaning to post for awhile. It is a request from a friend that I was happy to accommodate. It is an illustration, but with watercolor. So instead of just pushing water and color around the paper and hoping for the best, I had to exert much more control. I really like the final product.
Watercolor on 140 lbs watercolor paper 9x10
And this little guy is actually not watercolor, but Sketch Ink (by Rohrer & Klingner). Done mostly using Emma (a dark green ink) with a touch of Carmen (a yellow-orange ink).
Pen & ink on 140 lbs watercolor paper 4x6
Watercolor on 140 lbs watercolor paper 9x10
And this little guy is actually not watercolor, but Sketch Ink (by Rohrer & Klingner). Done mostly using Emma (a dark green ink) with a touch of Carmen (a yellow-orange ink).
Pen & ink on 140 lbs watercolor paper 4x6
Friday, January 25, 2019
Cold Blue
It is has been just a little bit cold here in NJ this past week, just like these cold, blue mountains.
Watercolor on 90 lbs paper 7x10
Watercolor on 140 lbs paper 6x6
Watercolor on 90 lbs paper 7x10
Watercolor on 140 lbs paper 6x6
Tuesday, January 15, 2019
Vitamin Sea
Saw a sign this weekend that said, "The only vitamin I need, is Vitamin Sea." Ain't that the truth.
Watercolor on 140 lbs paper 10 x 14
Watercolor on 140 lbs paper 10 x 14
Saturday, January 05, 2019
New Year's in the Keys 2018-19
It has been a few years, but we returned to Key West for a New Year Celebration Spectacular. It was glorious!!! The weather and company could not have been finer.
We drove thru the Florida Everglades and snapped some photos of the local fauna. Below are a couple of simple watercolors I did based on those photos in my Strathmore watercolor journal (5.5x8.5 inch; 140 lbs paper). I tried out a new technique to try and improve my color mixing. I think I nailed it with the gator!! I have a few other gator photos that I might try to paint.
"Egret study #1"
"Submerged Gator"
"Egret study #2"
We drove thru the Florida Everglades and snapped some photos of the local fauna. Below are a couple of simple watercolors I did based on those photos in my Strathmore watercolor journal (5.5x8.5 inch; 140 lbs paper). I tried out a new technique to try and improve my color mixing. I think I nailed it with the gator!! I have a few other gator photos that I might try to paint.
"Egret study #1"
"Submerged Gator"
"Egret study #2"
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